Feature Friday: Artist Bethany Perry – A true sense of self
We are delighted to introduce our next Feature Friday artist Read More...
The professional way to frame artwork – Art by My Dog Sighs
This piece called "No Words" by artist My Dog Sighs, Read More...
The Vehicle Wrap process – Concept to Creation
A case study using our most recent collaboration with Kayley Read More...
Feature Friday – Introducing artist KV Duong
Our next Feature Friday article introduces an extraordinary and deep-thinking Read More...
Why the addition of plants makes Flight Logistics a great place to work
We are incredibly fortunate to have a magnificent collection of Read More...
ArtOnWheels art transporter no.19 hits the road with artwork by Kayley Edwards!
ArtOnWheels art transporter no.19 hits the road with artwork by Read More...
Feature Friday – Introducing the ‘natural world’ sculptures of Jack Durling
We are delighted to be featuring sculptural ceramicist Jack Durling Read More...
Race for Net Zero – Paper ‘document enclosed’ wallets
The courier industry has traditionally been very plastic heavy. Thankfully Read More...
Feature Friday – Introducing the sculptures of Dan Rawlings
Contemporary British artist Dan Rawlings currently lives and works in Read More...
Some posts just need to be shared… @blekleratoriginal 😍
#bleklerat #streetart #parisart
Reposted: @chasecontemporary In the early 1980s, Paris started finding rats on its walls.
They weren’t random; they were the work of Blek le Rat, one of the artists who helped define the language of stencil-based street art. For Blek, the rat was more than an image. It was a symbol of survival, movement, and urban presence.
Small, unwanted, impossible to fully control.
Exactly like street art itself, what began as a repeated stencil became one of the most recognizable visual signatures in contemporary street art.
In the last 12 months we have recycled 14.5 tons of cardboard, paper and plastic… That’s the equivalent of 25 cuddly Grizzly Bears.
Just one part of our drive to offset our CO2 emissions. 😊
Many thanks to our recycling partner Ecogen Recycling
#sustainability #recycling #ecofriendly #logistics #greenfuture #clientbenefits #savetheplanet #buffalo #africanbuffalo #animalart #grizzlybear
You know the names.
But there’s more to the ShipArt leadership team than coordinating the safe movement of artwork across the globe…
Swipe through to discover a few fun facts – a TV appearance, an ex Brentford FC player, a qualified skydiver… 🙃
#meettheteam #artlogistics #shippingart #behindthescenes #shipart #brentfordfc #skydiving
During a walk about the Surrey Artist Open Studios trail this weekend, I stopped by the studio of Libby Daniels (@libby_daniels_ceramics) to view her latest collection of handmade ceramics.
I took the opportunity to ask Libby about her process, particularly how she develops shapes and explores colour in her work. It was also interesting to discuss whether she creates with a specific audience in mind, or whether her focus is primarily on personal exploration and enjoyment in making ceramics.
Libby’s work can next be seen at the Sussex Craft Week event in Arundel, 20–28 June 2026.
@surreyartistopenstudios
@sussexcraftweek
#haslemerepotter #hampshireart #artgallery #craftgallery #pottery #handmadeceramics #contemporaryclay #ceramics #madebyhand #abstractart #abstractpatterns @surreypotters
Top tip… When shipping artwork internationally in a wooden crate, correct packaging marks really matter. Missing or incorrect markings can lead to customs delays, returns, or even (gulp) destruction of the artwork.
Top tip: Avoid using red or orange stamps unless required for hazardous goods, as they may trigger unnecessary customs inspections.
Our crate markings indicate ISPM 15 compliance, fragile contents, keep dry instructions, correct orientation, dimensions, and gross weight helping ensure safe and compliant transit worldwide.
#artlogistics #fineartshipping #arthandling #museumlogistics #gallerylife #artcollection #internationalshipping #shippingtips
